No. | Program | Location | Operating Hours |
---|---|---|---|
1 | Gwanghwamun Exterior Wall Projection Mapping Media Façade |
Gwanghwamun | 6:00 – 9:00 PM Starts every hour |
2 | Sejong Center for the Performing Arts Exterior Wall Projection Mapping Media Façade |
Atelier Gwanghwa (Media gallery on the exterior wall of Sejong Center for the Performing Arts) |
6:00 – 9:00 PM Starts every hour |
3 | Haechi Plaza Media Wall LED Video Content |
Haechi Plaza | Operates continuously |
4 | Signiture LED Video Content |
Exterior LED wall
of National Museum of Korean Contemporary History |
6:00 – 9:00 PM Starts every hour |
5 | Gwanghwamun Light Sculptures |
Gwanghwamun Square |
Mon-Thu: 5:30 – 9:30 PM Fri-Sun: 6:00 – 10:00 PM |
6 | Paradise Art Lab & École de Condé Paris Public-Private-Academic Collaborative Exhibition |
State Council Site | Mon-Thu: 5:30 – 9:30 PM Fri-Sun: 6:00 – 10:00 PM |
7 | Media Façade New Year Countdown |
Gwanghwamun | December 31, 2024- January 1, 2025 |
8 | Global K-Content Zone - Squid Game Season 2 |
Next to the Statue of Admiral Yi Sun-sin |
Mon-Thu: 5:30 – 9:30 PM Fri-Sun: 6:00 – 10:00 PM |
Introduction to the artwork
Luminous Symphony : The Symphony of Light
“Luminous Symphony” unfolds through a journey of light, beginning with its overture and culminating in a grand finale of four movements.
Light, slowly spreading amidst the darkness, greets the audience with a mesmerizing scene of twinkling stars in the cosmos. It weaves traditional Korean motifs and modern architectural patterns together, emphasizing the beauty of the East. As the sphere of light gradually expands, it unfurls like the wings of architecture, symbolizing a bright future.
The flow of light extending beyond Seoul connects to global cities, envisioning a futuristic metropolis within a global network. The skyline, integrated with eco-friendly technology, presents a vision of a sustainable city, while the grand finale harmonizes diverse elements of light to showcase the grandeur of Earth and the cosmos.
Concluding its grand journey that bridges past and future, as well as East and West, this artwork reinterprets spaces through light in every scene, unveiling a dazzling symphony of light where city and nature coexist in harmony.
David Hartono(Artist Name : Monogrid)
Introduction
David Hartono, known by his pseudonym Monogrid, is an artist based in Milan, Italy, where he leads a music and technician team. As an Asian-Italian artist residing in Florence, he has been invited as a guest artist to numerous prestigious Italian national events, including an annual event for the Medici family in Florence, an event hosted by the Italian Ministry of Foreign Affairs, and an event at a former NATO base. Renowned for his elaborate and delicate style, he has earned recognition and collaboration opportunities from many Italian fashion brands. His work extends beyond video mapping to 3D projections, immersive installations, and creative collaborations.
A shining journey
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The video mapping work A Shining Journey, showcased at SEOULLIGHT, pays respect to Korean tradition and Gwanghwamun through the traditional Samtaegeuk pattern, embodying the Korean worldview of Heaven, Earth, and humanity, as well as Korea’s national flower, the Mugunghwa. It also highlights the architectural design of Gwanghwamun, which resembles the elegance of a bird taking flight. By animating the noble crane’s soaring, the artwork visualizes the symbol of Seoul while embodying Seoul’s transformation into a global city. In addition, the piece also narrates a story of Korea’s national pride and captures the journey of Seoul and Gwanghwamun toward an ideal future where nature and technology are harmoniously blended together.
David Hugonot Petit(Artist Name : Vangard Paris)
Introduction
David Hugonot Petit, originally from Paris, France, is an accomplished artist with extensive experience as a video mapping creator. He has participated in prestigious light festivals and large-scale cultural events hosted in various cities around the world, including those in the United States, Dubai, and Paris. Under the pseudonym Vangard, he works as an artist who independently leads his own technician and music production teams.
Suprême Ultime (Past - Present - Future)
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The video mapping work Suprême Ultime, introduced for the first time, traces the evolution of Gwanghwamun, the symbol of Seoul, exploring its past, present, and future through architecture, culture, and art. This artwork combines classical French artistic sculptures, popular culture, the gates of the Louvre Palace (considered the French counterpart to Gwanghwamun), and Seoul’s modern architecture to showcase the landmarks, histories, and cultures that define the identities of Seoul and Paris. Presented in a crossover format, it crafts a narrative where the two cities interface with each other.
The artwork traverses time through stunning visual effects while dynamically and rhythmically paying homage to the significant architectural landmarks of each city and their symbolism. Through energetic transitions, it narrates the story of Gwanghwamun. This video mapping artwork celebrates the ongoing transformation of Gwanghwamun and Seoul, from their identity as a historical heritage to a vision of an ecological and innovative future. It reinterprets the spirit of Seoul, a city that evolves spectacularly with every moment, capturing its dazzling brilliance.
Javier Cañal Sanchez(Artist Name : V.P.M)
Introduction
Javier Cañal Sanchez, a Spanish artist, works under the pseudonym V.P.M. and is currently based in Barcelona. He has a distinguished portfolio of showcasing his artworks through various events, such as the Datong City Lights Festival in China, the Barcelona Lights Festival, and the Madrid Lights Festival. He is a versatile artist who works across various media art formats, including numerous music events, 3D projections, and interactive art displays.
ELEMENTAL SYMPHONY
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ELEMENTAL SYMPHONY is a visual exploration of the fundamental energies that sustain the balance of the universe.
This project portrays the eternal interplay between light and darkness, fire and water, and motion and stillness. These energies are not merely coexisting but are interdependent, creating a harmonious flow that breathes life into the cosmos. The elements of nature reflect the landscape of Seoul, where nature and urbanity coexist, as well as the Korean philosophy of valuing the natural world. The intense energy of light symbolized by the name “Gwanghwamun” serves as a key inspiration. This concept highlights the importance of duality and dynamic balance as fundamental principles for understanding both the natural world and human creations.
Through a visual narrative that embodies unity within diversity, the artwork reveals the beauty of the eternal cycle of creation and transformation.
Yim Tae Kyu
Introduction
Yim Tae Kyu presents unique works that express contemporary sensibilities through the use of traditional materials and techniques of East Asian art. Transcending the boundaries between tradition and modernity, he expands his painting to video art, breathing new life into static artworks and demonstrating his artistic curiosity. Yim majored in East Asian painting at Seoul National University and in Korean painting at Chung-Ang University Graduate School. He received the Excellence Award at the 2005 SONGEUN Art Awards, as well as the 2007 Seoknam Art Prize. In addition, he was selected as a Young Artist by the Kumho Museum of Art. He has actively showcased his work internationally through numerous solo and group exhibitions.
erehwon
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Yim Tae Kyu’s earlier paintings uniquely modernize the materials of traditional Korean painting, preserving the philosophy of East Asian art while reflecting the lives of contemporary individuals. His video works, derived from these paintings, faithfully reinterpret the essence of the original paintings in video form. They are designed to convey the physical texture of the paintings and evoke the artistic resonance often absent in works initially created as video art.
The work’s title, erehwon, is a reversed spelling of “nowhere,” symbolizing a space that does not exist. A utopia refers to a space that is not part of the real world where people live but one they dream of, a place that does not exist in reality. The artwork envisions and represents various modern individuals enjoying their own unique utopias, aiming to rekindle a sense of lost innocence and hope in the hectic lives of contemporary people.
Title of the Work | Emit Your Light
Artist
Engsio
Engsio, born in 1980, South Korean artist who is the visual director of ORIGINAL ANALOG and works as a 3D graphic designer, is a particularly beloved artist in the installation scenes of musicals, dance, performances, and various festivals. His works, which feature a mix and match of eras and genres, kitschy colors and shapes, and various distortions, have been invited and exhibited in Korea, China, and the United States. His works reject stereotypical thinking through AI CAMERA and interactive sensor installations, and approach the audience with light and pleasant aesthetic elements by incorporating humor into a satirical perspective with his unique quirky temperament.
Digital Implementation Team
1st LIGO (Lee Hyun-goo), 2nd Mallean (Kim Hyung-pyo), Ahn Jun Pyo(Ahn Jun-pyo), PIAK (Choi Seo-yeon), JISU (Kang Ji-su)
Music Studio
Tae Sook Kang, Studio SOUND ONE
Sound design
JooHan Kim, YongHan Jang (MH sound)
LED installation
JinCheol Choi, OhCheol Kwon(BT)
Structure installation
Kangwook Bae, Moojin Lee
Title of the Work | Emit Your Light
Artist
Engsio
Engsio, born in 1980, South Korean artist who is the visual director of ORIGINAL ANALOG and works as a 3D graphic designer, is a particularly beloved artist in the installation scenes of musicals, dance, performances, and various festivals. His works, which feature a mix and match of eras and genres, kitschy colors and shapes, and various distortions, have been invited and exhibited in Korea, China, and the United States. His works reject stereotypical thinking through AI CAMERA and interactive sensor installations, and approach the audience with light and pleasant aesthetic elements by incorporating humor into a satirical perspective with his unique quirky temperament.
Digital Implementation Team
1st LIGO (Lee Hyun-goo), 2nd Mallean (Kim Hyung-pyo), Ahn Jun Pyo(Ahn Jun-pyo), PIAK (Choi Seo-yeon), JISU (Kang Ji-su)
Music Studio
Tae Sook Kang, Studio SOUND ONE
Sound design
JooHan Kim, YongHan Jang (MH sound)
LED installation
JinCheol Choi, OhCheol Kwon(BT)
Structure installation
Kangwook Bae, Moojin Lee
Introduction of the work | Emit Your Light
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Engsio's Emit your light (너의 빛을 발산하라) talks about the journey of realizing the different perspectives of how I look at myself, how I look at society, and how society looks at me, and journey of finding my own emotions and forgotten my own color in the repetitive daily life. This work, which uses real-time camera sensors and AI image processing technology, shows the four stages of self-discovery
imagined by Engsio in an intuitive and honest way. His work contains a warm and pleasant message that the audience hopes to find and emit their own light through the interaction of various perspectives that appear as they pass by these cameras.
Title of the Work | Geometric Molecule : Relationship
Artist
Wonmo Jang
Artist Wonmo Jang is a contemporary sculptor who presents geometrically shaped sculptures using stainless steel as his main material. His representative series, 'Geometric Series', harmoniously utilizes geometric shapes and the characteristics of various materials such as metal, wood, plastic, and fabric to present a modern aesthetic. His works express abstract ideas as objects, and through the combination of lines and points simplified by his own perspective, he talks about deep reflections on modern society and human life. He is active in the public art field by creating environmental sculptures that blend in with nature and urban spaces.
Music Studio
Tae Sook Kang, Studio SOUND ONE
Sound Studio
JooHan Kim, YongHan Jang (MH sound)
Structure Installation
SangHyun Park, YongMan Ko (Awcom)
Title of the Work | Geometric Molecule : Relationship
Artist
Wonmo Jang
Artist Wonmo Jang is a contemporary sculptor who presents geometrically shaped sculptures using stainless steel as his main material. His representative series, 'Geometric Series', harmoniously utilizes geometric shapes and the characteristics of various materials such as metal, wood, plastic, and fabric to present a modern aesthetic. His works express abstract ideas as objects, and through the combination of lines and points simplified by his own perspective, he talks about deep reflections on modern society and human life. He is active in the public art field by creating environmental sculptures that blend in with nature and urban spaces.
Music Studio
Tae Sook Kang, Studio SOUND ONE
Sound Studio
JooHan Kim, YongHan Jang (MH sound)
Structure Installation
SangHyun Park, YongMan Ko (Awcom)
Introduction of the work | Geometric Molecule : Relationship
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[Geometric Molecule: Relationship] is presenting at Seoul Light Gwanghwamun in 2024, it is a work that interprets human relationships in modern society with geometric shapes and molecular structures. This work expresses the fluidity and interaction of the complex network of relationships between individuals and society, and between people, with different points and lines in organic shapes. Artist Wonmo Jang wants to convey a message about the meaning of relationships to the audience through his work.
Title of the Work | Come play with me
Artist
Tilo Kaiser & 2Spade
Tilo Kaiser is born in 1965 Frankfurt, Germany and currently based in London, England. He holds solo exhibitions every year in various places around the world, including Germany, Luxembourg, the United States, Australia, South Korea, and Hong Kong, and is a popular artist who receives love calls from many galleries. His work utilizes various techniques such as line painting and collage, and our daily lives are reborn on his canvas with his own special and humorous perspective.
Introduction of Music artist 2Spade (SM Entertainment) : 2Spade, a DJ/producer from Seoul, South Korea, is a rising star on the international dance music scene. His music reflects his unwavering ambition, unique influences, and diverse experiences, naturally fusing trap and bass intensity with his hip-hop roots and his love of addictive dance melodies and grooves. He is an artist who embodies the dynamics of a modern-day punk rock star, rapper, and DJ. Having released on renowned labels such as ScreaM Records, Barong Family, Sable Valley, and Dim Mak, and receiving recognition from artists such as Yellow Claw, Flosstradamus, Ekali, 4B, JSTJR, and DJ Diesel, 2Spade is dominating the global stage.
Animation Collaboratio
Shin Jae Ho
Structure design
SunSook Kim
Structure installation
KangWook Bae, MooJin Lee(Art201)
Sound design
JooHan Kim, YongHan Jang(MH Sound)
Line LED installation
SangHyun Park, YongMan Ko (Awcom)
Lighting design
YongSoo Kim (TLC)
LED programming
JinCheol Choi, OhCheol Kwon(BT)
Title of the Work | Come play with me
Artist
Tilo Kaiser & 2Spade
Tilo Kaiser is born in 1965 Frankfurt, Germany and currently based in London, England. He holds solo exhibitions every year in various places around the world, including Germany, Luxembourg, the United States, Australia, South Korea, and Hong Kong, and is a popular artist who receives love calls from many galleries. His work utilizes various techniques such as line painting and collage, and our daily lives are reborn on his canvas with his own special and humorous perspective.
Introduction of Music artist 2Spade (SM Entertainment) :2Spade, a DJ/producer from Seoul, South Korea, is a rising star on the international dance music scene. His music reflects his unwavering ambition, unique influences, and diverse experiences, naturally fusing trap and bass intensity with his hip-hop roots and his love of addictive dance melodies and grooves. He is an artist who embodies the dynamics of a modern-day punk rock star, rapper, and DJ. Having released on renowned labels such as ScreaM Records, Barong Family, Sable Valley, and Dim Mak, and receiving recognition from artists such as Yellow Claw, Flosstradamus, Ekali, 4B, JSTJR, and DJ Diesel, 2Spade is dominating the global stage.
Animation Collaboratio
Shin Jae Ho
Structure design
SunSook Kim
Structure installation
KangWook Bae, MooJin Lee(Art201)
Sound design
JooHan Kim, YongHan Jang(MH Sound)
Line LED installation
SangHyun Park, YongMan Ko (Awcom)
Lighting design
YongSoo Kim (TLC)
LED programming
JinCheol Choi, OhCheol Kwon(BT)
Introduction of the work | come play with me
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His work introduced at this year's 2024 Seoul Light Gwanghwamun is a worldview that applies the style of his line painting series, and captures the appearances of modern people through his own humorous interpretation. Sometimes, all things that may seem difficult and hard are reborn as things that can be overcome with a smile through his work.
Title of the Work | Untitled
Artist
Ha Jung-woo
Ha Jung-woo was born in Seoul in 1978. He graduated from the Department of Theater and Film at Chung-Ang University, and has held solo exhibitions at Pyo Gallery (2021, 2022), Gana Art Busan (2021), Horim Art Center (2016), Walter Wikizer Gallery (2013), and Hakgojae Gallery (2024). Major group exhibitions include 《Duhwaga》(2022, 313 Art Project, Seoul) and 《Coexistence and Correspondence: Coexist for Dialogue》(2020, Pyo Gallery, Seoul). The figures in his works are expressed with simple lines and vivid colors, and their simplified forms stand out. By emphasizing the eyes, nose, and mouth on exaggerated faces, he breathes primitive life into the figures.
Digital Implementation Team
WE (Woori Kim) AhnJun Pyo (Junpyo Ahn)
Music Studio
Tae Sook Kang, Studio SOUND ONE
Sound studio
JooHan Kim, YongHan Jang (MH sound)
LED programming
SangHyun Park, YongMan Ko (Awcom)
Structure installation
KangWook Bae, MooJin Lee(Art201)
Title of the Work | Untitled
Artist
Ha Jung-woo
Ha Jung-woo was born in Seoul in 1978. He graduated from the Department of Theater and Film at Chung-Ang University, and has held solo exhibitions at Pyo Gallery (2021, 2022), Gana Art Busan (2021), Horim Art Center (2016), Walter Wikizer Gallery (2013), and Hakgojae Gallery (2024). Major group exhibitions include 《Duhwaga》(2022, 313 Art Project, Seoul) and 《Coexistence and Correspondence: Coexist for Dialogue》(2020, Pyo Gallery, Seoul). The figures in his works are expressed with simple lines and vivid colors, and their simplified forms stand out. By emphasizing the eyes, nose, and mouth on exaggerated faces, he breathes primitive life into the figures.
Digital Implementation Team
WE (Woori Kim) AhnJun Pyo (Junpyo Ahn)
Music Studio
Tae Sook Kang, Studio SOUND ONE
Sound studio
JooHan Kim, YongHan Jang (MH sound)
LED programming
SangHyun Park, YongMan Ko (Awcom)
Structure installation
KangWook Bae, MooJin Lee(Art201)
Introduction of the work | Untitled
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Ha Jung-woo's art work shows primitive and pure native patterns with a modernized perspective, and intuitively explores the inner self of humans by using sensuous color contrasts. His works, which show mysterious and pure beauty, will be recreated as digital installations using LED strips at Seoul Light Gwanghwamun 2024. His works capture sublime inner self of humans through his perspective. Today, his works meet digital installation which is touchable to approach the audience more intimately.
Title of the Work | Chrono Passage
Artist
SILO Lab
SILO Lab. is an interactive media art group based on engineering, space, and video, and provides immersive experiences that cross the boundaries between art and technology by utilizing various media technologies. We create new experiences that have never existed before through continuous research at the intersection of technology and art, and implement them as art. SILO Lab. turns imagination into reality, providing unique and sensory experiences that have never existed in the world. It makes difficult and complex digital media emotionally accessible, and reinterprets familiar spaces and times in a new way to elicit empathy. It surprises and delights people through the power of technology, and opens a window to see the world in a new way through the fusion of art and technology.
LED installation
SangHyun Park, YongMan Ko (Awcom)
Structure installation
KangWook Bae, MooJin Lee(Art201)
Title of the Work | Chrono Passage
Artist
SILO Lab
SILO Lab. is an interactive media art group based on engineering, space, and video, and provides immersive experiences that cross the boundaries between art and technology by utilizing various media technologies. We create new experiences that have never existed before through continuous research at the intersection of technology and art, and implement them as art. SILO Lab. turns imagination into reality, providing unique and sensory experiences that have never existed in the world. It makes difficult and complex digital media emotionally accessible, and reinterprets familiar spaces and times in a new way to elicit empathy. It surprises and delights people through the power of technology, and opens a window to see the world in a new way through the fusion of art and technology.
LED installation
SangHyun Park, YongMan Ko (Awcom)
Structure installation
KangWook Bae, MooJin Lee(Art201)
Introduction of the work | Chrono Passage
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This is an art piece that expresses time, space, and the flow of light. The piece provides a new synesthetic experience through its
elaborately arranged structure and rhythm of light. In the historical context and urban landscape of Gwanghwamun, this piece functions as a gate that connects the past, present, and future of Gwanghwamun, allowing viewers to visually and sensually feel the flow of time and the preciousness of moments. The elaborate grid structure and arrangement of light capture the fact that time flows orderly while also containing flexibility and infinite possibilities. When viewers pass through the gate of the piece, they go beyond simply looking at it and become subjects who move and interact in time. While experiencing the changes in light inside and outside the piece, they can feel and enjoy the visual landscape that changes depending on their movements and positions, and add their own stories to it. This work will be a door that allows us to encounter time in a new way at the boundary between the moment and the flow.
Rank | Artist Name | Nationality | Title of Work |
---|---|---|---|
1 | Damian H. Sanjuan | Spain | Eternal Light |
2 | C.L.V.X | Indonesia | Behind Light Line |
3 | Eurovideomapping | Germany | Light Transformation |
4 | Li Cheng | China | Energy Diffusion |
5 | Nextvj | Argentina | Light Magicians |
Grand Prize
Ha Ji-soo
My name is Ha Ji-su, and I specialize in 2D animation and exploring various forms of visual media. When creating videos, my priority is to make memorable video media: artwork that does not just end with a single viewing but lingers in the viewer’s heart, rekindling emotions or thoughts long after it has been viewed.
During my undergraduate years, I primarily focused on 2D animation. Over time, I grew increasingly
curious about the immersive qualities of animation and its potential for interaction. This curiosity led me to explore how I could create artworks that forge deeper connections with the viewer, inspiring me to push the boundaries of what animation can achieve.
Building upon these ideas, I ventured into the field of media art, focusing on creating artworks that
resonate more deeply with viewers and allow for direct interaction. I believe that by incorporating
interactive and generative art, I can offer viewers experiences where they are offered the opportunity
to actively participate rather than passively observe. I plan to continue developing animations in this
direction.
Ultimately, I want to create artworks through the medium of video media that allow people to feel more deeply, experience fully, and form their own interpretations. By adding a touch of imagination, I aim to craft living and breathing experiences to be shared with the audience.
Artwork Introduction | Harmony
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Harmony is a media art piece that visually and aurally expresses the core themes of balance and unity through the blending of Korea’s tradition and modernity, mythology and technology, and humanity and nature.
This artwork reimagines traditional paintings, such as Irworobongdo and Jingyeong (true-view) landscape painting, in a modern context, creating vivid and dynamic scenes in the process.
The creatures from Korean traditional mythology, such as goblins, haetae, lions, immortals, dragons, and kylin, appear in strikingly unique forms, expressed through the colors and light of mother-of-pearl, captivating the viewer’s gaze. Particularly, the background of these mythical creatures transitions seamlessly from traditional paintings to the modern landscape of Seoul, symbolizing how tradition remains alive within modern life. The music, harmonizing Korean Samulnori (traditional percussion) with orchestral grandeur, plays a vital role in the storytelling of this artwork. The dynamic rhythms of Samulnori resonate in sync with the movements of the mythical creatures, while the orchestra’s majestic melodies enhance the immersive depth of the narrative. Through this approach, viewers can discover a new sensation where traditional and modern music are beautifully blended together.
Harmony bridges the past and present by bringing traditional symbols and mythical beings to life within the modern landscape of Seoul. The final scene, set against the backdrop of Gwanghwamun, Hanyangdoseong (Seoul City Wall), and Namsan Tower, concludes with a kylin causing flowers to bloom as it passes by, representing the moment when traditional values are reinterpreted within the modern
cityscape of Seoul. Harmony reimagines Korean traditional art and mythology through modern technology, shedding new light on Seoul’s identity and cultural significance. Traditional paintings and mythical creatures, represented through light and technology, evoke the
emotional resonance of traditional aesthetics while offering viewers an artistic experience where tradition and modernity blend.
Harmony goes beyond merely replicating tradition as it carries the symbolic value of tradition embodied through modern artistic forms. It is an artistic endeavor to showcase the unique charm of Korean traditional culture. By blending technology and tradition, it aims to inspire viewers and strives to become a pioneering media art piece that elevates the global competitiveness of Korean cultural content.
Gold Prize
Park So-jung
I am a 3D artist dedicated to creating innovative and creative content. With a passion for continuous learning of emerging technologies and trends, I aim to explore diverse forms of 3D art without being confined to a single genre.
Artwork Introduction | Connecting Seoul
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The subway is more than just a means of transportation. It is a passage that connects me to Seoul. It turns fleeting encounters and
everyday moments into a landscape, allowing me to paint my own version of the city. I hope that the process of moving along with the light in this artwork becomes a moment for viewers to create another unique landscape of this dynamic metropolis.
Silver Prize
Yuyeol Byeon
Yuyeol Byeon is a media artist, composer, sound designer, and researcher based in Seoul.
As a composer and conductor, he has participated in numerous international music festivals, with his music performed in locations worldwide, such as Korea and Europe. As a media artist, Byeon focuses on the multi-layered interpretations of concepts that emerge within today’s intricate digital environment.
He is fascinated by how a single representation can be interpreted as entirely different signifiers across various backgrounds and contexts, such as disciplines, fields, cultures, regions, technologies, and time. Additionally, the artist seeks to express the divergences and shifts of these meanings and concepts through his work.
Recently, Byeon has been utilizing AI, computer graphics technology, and game engines to create media façades, audiovisual works, interactive installations, and digital paintings. Through these projects, he brings the interconnections and distinctions of space-time-phenomena, which exist on the conceptual surface, into human perception, enabling them to be experienced in the physical realm. As an artist,
and by capturing the phenomena that arise from translating speculative concepts into performative methods, Byeon seeks to understand multiple contexts simultaneously and embrace different universes together with his audience.
Artwork Introduction | Resonance of Seoul: Strange Attractor
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The vast community of Seoul resembles a fractal structure, characterized by its complexity and diverse patterns. This city, where people of diverse backgrounds and stories are intricately intertwined, symbolically demonstrates that each individual is not merely a part of the system but the whole itself. The artwork Resonance of Seoul: Strange Attractor explores the dynamism and beauty of Seoul, symbolically visualizing the process through which each individual functions as both an independent entity and a harmonious part of the whole within the city. The artwork simulates new possibilities through fractal structures and chaos theory, exploring the interplay between order and chaos. It reflects the artist’s hope that, within this constant harmony, the good in our community will emerge, while the bad will fade away.
This artwork was created using Unreal Engine, with a camera probing the 3D Mandelbrot set structures to capture its visuals. Viewers
are invited into the vast fractal structures that symbolize Seoul through large-scale projection-mapped visuals. The artwork transcends mere external observation, inviting viewers to step inside the structure and intuitively grasp the relationship between microscopic
movements and macroscopic patterns. The fractal structure continuously generates and dissolves in response to changes in data and parameters, metaphorically symbolizing the way diverse individuals coexist in harmony within the city of Seoul. Each individual possesses independence as a microscopic unit, yet their existence is connected to the essence of the whole. This relationship reveals itself as a mutually complementary and cyclical process.
The artwork particularly emphasizes empty space and its transformation. Empty space does not merely symbolize absence or void but holds the potential for new forms and patterns to emerge. In moments when spaces once filled with three-dimensional structures are
unexpectedly emptied through unforeseen sequences, viewers are able to visually experience the process of balance, where
intertwined relationships involve mutual compromise and consideration. This empty space is closely connected to the “strange attractor,” a geometric structure that helps a system maintain balance within a limited area, creating complex trajectories. While following consistent rules, it possesses the unique characteristic of never repeating its previous path, continually entering new spaces. In the artwork, the cycles of filling and emptying spaces visually reflect the characteristics of the strange attractor, allowing viewers to symbolically
experience the elegant process of creation and dissolution as chaos and order interplay.
The artist compares the city of Seoul to a fractal structure, emphasizing that each individual is not merely a part of the whole but exists as the whole itself. The process of discovering positive change and new possibilities within intricate relationships goes beyond the mere functionality of a city, extending to a reflection on the essence and potential of human existence. The artist’s hope for the emergence of the good and the dissolution of the bad is expressed as a message encouraging viewers to recognize both their individuality and
harmony through the artwork and foster a society where mutual respect and coexistence can flourish.
Resonance of Seoul: Strange Attractor goes beyond offering mere visual pleasure. It is designed to help viewers discover both their
individuality and wholeness within the intricate web of relationships and to experience the values of harmony and coexistence.
The new patterns and harmony created through the interplay of order and chaos symbolically present a direction for us to pursue in modern society. The artwork guides the audience to realize that their existence is not merely a part of a vast system but a vital element that forms the whole, encouraging them to explore new possibilities within relationships and harmony created together.
Bronze Prize
B216 (Nam Ji-won, Lee Sin-young)
Nam Ji-won: After graduating with a major in video design, Nam Ji-won worked as a motion graphics designer at a broadcasting station, producing broadcast video graphics. Currently, she is pursuing
studies at the graduate level, continuing to focus on both academic research and practical projects aimed at producing realistic visuals using Unreal Engine.
Lee Sin-young: Lee Sin-young’s work begins with researching local areas and capturing the faces and voices of the people encountered there. The artist quietly blends the phenomena shaped by individuals confronting their times into landscapes. To more vividly and strikingly capture stories as a tool for
archiving, she continues to work on recreating memories using game engines.
Artwork Introduction | <Sun, Moon and Five peaks: Irworobongdo>
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Irworobongdo (Sun, Moon and Five peaks) features a unique composition in which the sun and moon cohabit the same space. The sun and moon, respectively, symbolize the king and queen, while the five peaks of Obongsan represent the five elements: benevolence,
righteousness, propriety, wisdom, and sincerity. Additionally, they represent the five directions: east, west, south, north, and center.
Irworobongdo (Sun, Moon and Five peaks) reflects the authority of the Joseon royal court through the harmony of yin and yang and the representation of the five elements. We aimed to depict the history of the Joseon dynasty by recreating the Irworobongdo (Sun, Moon and Five peaks) folding screen as a live-action 3D visualization using Unreal Engine, set against the backdrop of Gyeongbokgung Palace. By showcasing the sun and moon, the five peaks, the evergreen pine trees, and the endless sea depicted in Irworobongdo (Sun, Moon and Five peaks), we sought to express our wish for peace and prosperity in the new era.
Bronze Prize
3D Cherry (Kim Ri-won, Hwang Chae-yoo)
Artwork Introduction | Traces of Eternity: Where Light Stays
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This artwork combines the grandeur of Gyeonghoeru Pavilion and the symbolism of the Sipjangsaengdo (Ten Symbols of Longevity) to portray a world where nature and humanity coexist in harmony through light and visuals. Gyeonghoeru Pavilion, with its unique structure floating on water, reflects the architectural beauty of the Joseon dynasty and a reverence for nature. The Sipjangsaengdo embodies
the artistic essence of the Joseon era, symbolizing longevity and eternity. In the process of creating this work, we sought to weave the profound stories of these two elements into a unified visual narrative. In the opening scene, a door opens to invite the viewer into the world of the Sipjangsaengdo, expressing the vitality of nature through the vibrant movements of forest, deer, and light. The subsequent scene reveals the majestic beauty of Gyeonghoeru Pavilion, where the harmony between nature and humanity unfolds like a poetic tale. This artwork goes beyond merely recreating the legacy of the past. It presents an ideal vision of coexistence, where nature and
humanity create together, offering viewers a moment to experience this concept and connect with its message. Through this artwork, which reimagines the history, nature, and philosophical depth of Seoul, we express our desire that the future, too, will be illuminated in harmonious light.
Grand Prize
Ha Ji-soo
My name is Ha Ji-su, and I specialize in 2D animation and exploring various forms of visual media. When creating videos, my priority is to make memorable video media: artwork that does not just end with a single viewing but lingers in the viewer’s heart, rekindling emotions or thoughts long after it has been viewed. During my undergraduate years, I primarily focused on 2D animation. Over time, I grew increasingly curious about the immersive qualities of animation and its potential for interaction. This curiosity led me to explore how I could create artworks that forge deeper connections with the viewer, inspiring me to push the boundaries of what animation can achieve. Building upon these ideas, I ventured into the field of media art, focusing on creating artworks that resonate more deeply with viewers and allow for direct interaction. I believe that by incorporating interactive and generative art, I can offer viewers experiences where they are offered the opportunity to actively participate rather than passively observe. I plan to continue developing animations in this direction. Ultimately, I want to create artworks through the medium of video media that allow people to feel more deeply, experience fully, and form their own interpretations. By adding a touch of imagination, I aim to craft living and breathing experiences to be shared with the audience.
Artwork Introduction | Harmony
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Harmony is a media art piece that visually and aurally expresses the core themes of balance and unity through the blending of Korea’s tradition and modernity, mythology and technology, and humanity and nature.
This artwork reimagines traditional paintings, such as Irworobongdo and Jingyeong (true-view) landscape painting, in a modern context, creating vivid and dynamic scenes in the process.
The creatures from Korean traditional mythology, such as goblins, haetae, lions, immortals, dragons, and kylin, appear in strikingly unique forms, expressed through the colors and light of mother-of-pearl, captivating the viewer’s gaze. Particularly, the background of these mythical creatures transitions seamlessly from traditional paintings to the modern landscape of Seoul, symbolizing how tradition remains alive within modern life. The music, harmonizing Korean Samulnori (traditional percussion) with orchestral grandeur, plays a vital role in the storytelling of this artwork. The dynamic rhythms of Samulnori resonate in sync with the movements of the mythical creatures, while the orchestra’s majestic melodies enhance the immersive depth of the narrative. Through this approach, viewers can discover a new sensation where traditional and modern music are beautifully blended together.
Harmony bridges the past and present by bringing traditional symbols and mythical beings to life within the modern landscape of Seoul. The final scene, set against the backdrop of Gwanghwamun, Hanyangdoseong (Seoul City Wall), and Namsan Tower, concludes with a kylin causing flowers to bloom as it passes by, representing the moment when traditional values are reinterpreted within the modern cityscape of Seoul. Harmony reimagines Korean traditional art and mythology through modern technology, shedding new light on Seoul’s identity and cultural significance. Traditional paintings and mythical creatures, represented through light and technology, evoke the emotional resonance of traditional aesthetics while offering viewers an artistic experience where tradition and modernity blend.
Harmony goes beyond merely replicating tradition as it carries the symbolic value of tradition embodied through modern artistic forms. It is an artistic endeavor to showcase the unique charm of Korean traditional culture. By blending technology and tradition, it aims to inspire viewers and strives to become a pioneering media art piece that elevates the global competitiveness of Korean cultural content.
Gold Prize
Park So-jung
I am a 3D artist dedicated to creating innovative and creative content. With a passion for continuous learning of emerging technologies and trends, I aim to explore diverse forms of 3D art without being confined to a single genre.
Artwork Introduction | Connecting Seoul
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he subway is more than just a means of transportation. It is a passage that connects me to Seoul. It turns fleeting encounters and everyday moments into a landscape, allowing me to paint my own version of the city. I hope that the process of moving along with the light in this artwork becomes a moment for viewers to create another unique landscape of this dynamic metropolis.
Silver Prize
Yuyeol Byeon
Yuyeol Byeon is a media artist, composer, sound designer, and researcher based in Seoul. As a composer and conductor, he has participated in numerous international music festivals, with his music performed in locations worldwide, such as Korea and Europe. As a media artist, Byeon focuses on the multi-layered interpretations of concepts that emerge within today’s intricate digital environment. He is fascinated by how a single representation can be interpreted as entirely different signifiers across various backgrounds and contexts, such as disciplines, fields, cultures, regions, technologies, and time. Additionally, the artist seeks to express the divergences and shifts of these meanings and concepts through his work. Recently, Byeon has been utilizing AI, computer graphics technology, and game engines to create media façades, audiovisual works, interactive installations, and digital paintings. Through these projects, he brings the interconnections and distinctions of space-time-phenomena, which exist on the conceptual surface, into human perception, enabling them to be experienced in the physical realm. As an artist, and by capturing the phenomena that arise from translating speculative concepts into performative methods, Byeon seeks to understand multiple contexts simultaneously and embrace different universes together with his audience.
Artwork Introduction | Resonance of Seoul: Strange Attractor
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The vast community of Seoul resembles a fractal structure, characterized by its complexity and diverse patterns. This city, where people of diverse backgrounds and stories are intricately intertwined, symbolically demonstrates that each individual is not merely a part of the system but the whole itself. The artwork Resonance of Seoul: Strange Attractor explores the dynamism and beauty of Seoul, symbolically visualizing the process through which each individual functions as both an independent entity and a harmonious part of the whole within the city. The artwork simulates new possibilities through fractal structures and chaos theory, exploring the interplay between order and chaos. It reflects the artist’s hope that, within this constant harmony, the good in our community will emerge, while the bad will fade away.
This artwork was created using Unreal Engine, with a camera probing the 3D Mandelbrot set structures to capture its visuals. Viewers are invited into the vast fractal structures that symbolize Seoul through large-scale projection-mapped visuals. The artwork transcends mere external observation, inviting viewers to step inside the structure and intuitively grasp the relationship between microscopic movements and macroscopic patterns. The fractal structure continuously generates and dissolves in response to changes in data and parameters, metaphorically symbolizing the way diverse individuals coexist in harmony within the city of Seoul. Each individual possesses independence as a microscopic unit, yet their existence is connected to the essence of the whole. This relationship reveals itself as a mutually complementary and cyclical process.
The artwork particularly emphasizes empty space and its transformation. Empty space does not merely symbolize absence or void but holds the potential for new forms and patterns to emerge. In moments when spaces once filled with three-dimensional structures are unexpectedly emptied through unforeseen sequences, viewers are able to visually experience the process of balance, where intertwined relationships involve mutual compromise and consideration. This empty space is closely connected to the “strange attractor,” a geometric structure that helps a system maintain balance within a limited area, creating complex trajectories. While following consistent rules, it possesses the unique characteristic of never repeating its previous path, continually entering new spaces. In the artwork, the cycles of filling and emptying spaces visually reflect the characteristics of the strange attractor, allowing viewers to symbolically experience the elegant process of creation and dissolution as chaos and order interplay.
The artist compares the city of Seoul to a fractal structure, emphasizing that each individual is not merely a part of the whole but exists as the whole itself. The process of discovering positive change and new possibilities within intricate relationships goes beyond the mere functionality of a city, extending to a reflection on the essence and potential of human existence. The artist’s hope for the emergence of the good and the dissolution of the bad is expressed as a message encouraging viewers to recognize both their individuality and harmony through the artwork and foster a society where mutual respect and coexistence can flourish.
Resonance of Seoul: Strange Attractor goes beyond offering mere visual pleasure. It is designed to help viewers discover both their individuality and wholeness within the intricate web of relationships and to experience the values of harmony and coexistence. The new patterns and harmony created through the interplay of order and chaos symbolically present a direction for us to pursue in modern society. The artwork guides the audience to realize that their existence is not merely a part of a vast system but a vital element that forms the whole, encouraging them to explore new possibilities within relationships and harmony created together.
Bronze Prize
B216 (Nam Ji-won, Lee Sin-young)
Nam Ji-won: After graduating with a major in video design, Nam Ji-won worked as a motion graphics designer at a broadcasting station, producing broadcast video graphics. Currently, she is pursuing studies at the graduate level, continuing to focus on both academic research and practical projects aimed at producing realistic visuals using Unreal Engine.
Lee Sin-young: Lee Sin-young’s work begins with researching local areas and capturing the faces and voices of the people encountered there. The artist quietly blends the phenomena shaped by individuals confronting their times into landscapes. To more vividly and strikingly capture stories as a tool for archiving, she continues to work on recreating memories using game engines.
Artwork Introduction | <Sun, Moon and Five peaks: Irworobongdo>
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Irworobongdo (Sun, Moon and Five peaks) features a unique composition in which the sun and moon cohabit the same space. The sun and moon, respectively, symbolize the king and queen, while the five peaks of Obongsan represent the five elements: benevolence, righteousness, propriety, wisdom, and sincerity. Additionally, they represent the five directions: east, west, south, north, and center. Irworobongdo (Sun, Moon and Five peaks) reflects the authority of the Joseon royal court through the harmony of yin and yang and the representation of the five elements. We aimed to depict the history of the Joseon dynasty by recreating the Irworobongdo (Sun, Moon and Five peaks) folding screen as a live-action 3D visualization using Unreal Engine, set against the backdrop of Gyeongbokgung Palace. By showcasing the sun and moon, the five peaks, the evergreen pine trees, and the endless sea depicted in Irworobongdo (Sun, Moon and Five peaks), we sought to express our wish for peace and prosperity in the new era.
Bronze Prize
3D Cherry (Kim Ri-won, Hwang Chae-yoo)
Artwork Introduction | Traces of Eternity: Where Light Stays
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This artwork combines the grandeur of Gyeonghoeru Pavilion and the symbolism of the Sipjangsaengdo (Ten Symbols of Longevity) to portray a world where nature and humanity coexist in harmony through light and visuals. Gyeonghoeru Pavilion, with its unique structure floating on water, reflects the architectural beauty of the Joseon dynasty and a reverence for nature. The Sipjangsaengdo embodies the artistic essence of the Joseon era, symbolizing longevity and eternity. In the process of creating this work, we sought to weave the profound stories of these two elements into a unified visual narrative. In the opening scene, a door opens to invite the viewer into the world of the Sipjangsaengdo, expressing the vitality of nature through the vibrant movements of forest, deer, and light. The subsequent scene reveals the majestic beauty of Gyeonghoeru Pavilion, where the harmony between nature and humanity unfolds like a poetic tale. This artwork goes beyond merely recreating the legacy of the past. It presents an ideal vision of coexistence, where nature and humanity create together, offering viewers a moment to experience this concept and connect with its message. Through this artwork, which reimagines the history, nature, and philosophical depth of Seoul, we express our desire that the future, too, will be illuminated in harmonious light.
A starlit garden in Seoul, illuminated by thousands of wishes!
At Gwanghwamun Square, where the cold winter breeze sweeps through, the transparent wish ball in your hands meets the glow of LED lights as it begins to radiate with a gentle brilliance. As your heart fills with anticipation, the wish you write down transforms into a shimmering light and softly blends into the night sky.
Now, take a step back and take a moment to look at your wish as it glimmers in the night sky! The wish you just made shines together with the stories of thousands of others. Some stars glow with hopes for a loved one’s
health, others sparkle with the courage to chase their dreams, and still others radiate with heartfelt wishes
for family happiness.
By sharing our wishes as lights, we come to the epiphany that we are not alone but united as one. Amidst this
radiant starlit garden, created by the gathering of countless small lights, we believe that each and every wish will come true. Whenever we take a moment to reflect on this precious memory, we will recall the stars of Seoul
we created together that winter night.
Spirit in Nature | 김보슬 Bosul Kim
Spirit in Nature is a media artwork set in a world of the near-future, which has been reshaped by flooding caused by climate change. It revolves around the discovery of a life archive storage unit containing the information and memories of all living beings. This discovery results in the awakening of hybrid lifeforms that blend the genetic makeup and features of humans and non-humans, as well as Eastern and Western traditions. The artist integrates various technological media, including motion capture, AI, and game engines, aiming to offer an experience that explores and contemplates the origins of life within a reimagined space-time connecting the past and the future.
Connecting your dreams | 엔자임 Nsyme
Connecting Your Dreams explores the boundary between dreams and reality. Brushstroke-like lines form shapes that depict jellyfish and flowers, symbolizing reality. Within the artwork, reality momentarily flickers, allowing symbolic figures like dragons and monsters to emerge and invite viewers into the realm of dreams. Through this transition, dreams (dragons and monsters) and reality (jellyfish and flowers) are connected by lines, forming a unified flow that conveys a dual meaning. Through this work, viewers are led to experience the moment where dreams and reality intersect within their subconscious.
Patterns of Symbiosis : Coexisting Patterns | 정윤수 Yunsu Joung
Patterns of Symbiosis: Coexisting Patterns is a media façade artwork that explores the patterns of the living world. Drawing inspiration from Alan Turing's reaction-diffusion system theory proposed in the 1950s, this work decodes the complex patterns found in nature through two mathematical principles: activation and inhibition. Using this theory, the artist visually recreates patterns that transcend the boundaries between nature and humanity, as well as between reality and the virtual world. The artwork presents vibrant patterns created through the processes of activation and inhibition and explores the essence of an interconnected world by reversing the agents of activation and inhibition depending on the observer’s perspective. Through this process, viewers discover how intricate and deeply interconnected our world is, gaining a renewed awareness of their place within it.
Meme-ified Vandalism: Legacy | 장지윤 Daphne Jiyeon Jang
Meme-ified Vandalism: Legacy is an artwork that reinterprets historical symbols through a contemporary lens, exploring digital-age vandalism and meme culture. The Duke of Wellington statue in front of the Gallery of Modern Art in Glasgow, UK, has been transformed into a modern icon through a meme, where citizens place a traffic cone on its head. The artwork examines the distinction between vandalism and memes, rediscovering the value of cultural heritage and reflecting on how it can be preserved. Additionally, it aims to reassess the distorted cultural perceptions shaped by the Gwanghwamun graffiti incident.
Tectonic Worm 002 | oOps.50656 (황선정, 문규철)
Tectonic Worm 002 depicts a symbiotic landscape where growing trees, drawn through organic algorithms, exhibit rhythmic movements based on Seoul's climate data. The trees and the rhythms of nature, as organic life forms flourishing in the center of Seoul, create an organic landscape. The dancing Tanhamu shaman performs a rhythmic dance while exchanging energy with the trees on the screen. The artwork sensorially conveys the flow of nature within the city, breathing new life into everyday landscapes.
Innermost Landscape(Aria) | oOps.50656 (황선정, 문규철)
Innermost Landscape is a nonlinear spatial-temporal landscape that explores the rhythms of the deepest inner self through the abstraction of ink painting. Unique rhythms, energy cycles, and waveforms inherent in nature and the human inner self are transformed into rhythmic ink lines, flowing freely in and out of water and moving organically. This work, which evokes a sense of inherent vitality, invites the viewer to experience the essence of sensation and guides them into a state of profound resonance.
OFELIA DORME (잠자는 오펠리아) | 코스탄자 까날리 Costanza Canali
A few years ago, I experienced insomnia and sleep paralysis, unable to move my body yet vividly feeling everything I dreamed or
imagined as if it were real, solely through the power of my mind. This led me to explore the worlds of daydreams and sleep.
Through my artwork, OFELIA DORME, I invite viewers to step into the realm of daydreams.
Pavés de lumière - 빛의 조각들 | 클래어 졸리 Claire Joly
Pavés de Lumière is a self-portrait that portrays myself as a puppet.
The personality of every person appears differently depending on the perspective from which they are viewed.
My self-portrait depicts the process of countless fragments of myself coming together to create a complete version of who I am.
Tunnel - 터널 | 클레멍틴 샤를로 Clémentine Charlot
On a quiet street in Paris, two young people stroll through the night, leaving all constraints behind.
The aureole of streetlights, as if halting the city’s noise and time, captures the purity of the moment in black-and-white imagery.
Each reflection of light reminds the viewer of freedom, an escape from the ordinary.
The city transforms into a frozen stage, bearing witness to a moment of absolute liberation as shadows, light, speed, and serenity come together.
Time - 시간 | 피에르 라바그니 Pierre Rabagny
Time is inherently subjective. The flow of time varies depending on an object’s mass and size.
The speed of human beings is presented across fluctuating time values in each video. This work visually explores the theory that
individual time flows subjectively, and each person’s rhythm of life is unique, even as the commonly agreed-upon flow of time remains constant.
Thank you for your support of Seoul Light Gwanghwamun.
We look forward to seeing you again in December 2025.