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SEOULLIGHT GWANGHWAMUN Sejong Center for the Performing Arts Exterior Wall Media Gallery



Student Media Art Contest

Using the grand façade of the Sejong Center for the Performing Arts as a canvas, this contest showcases the creative media art of students aspiring to become emerging media artists.
This event promises to serve as a groundbreaking media art platform that breaks the boundaries between urban centers and art, while bridging tradition and the future.
Highlighting the innovative visions of emerging artists by using such a majestic façade as its canvas, this experience will mark the establishment of a new cultural landmark in Seoul.
Contest Themes
  • Media artworks incorporating 3D and 4D illusions
    Creative artworks leveraging the architectural characteristics of the Sejong Center for the Performing Arts
    Innovative media experiences blending the coexistence of the city’s future and tradition
Qualifications for Participation
  • Open to university and graduate students aged 19 or older, either individually or in teams
Timeline
  • Submission Period
  • October 23–31, 2024
  • First Round Results Announcement
  • November 7, 2024
  • Second Round On-site Evaluation
  • November 18, 2024
  • Final Winning Artworks Exhibition
  • Sejong Center for the Performing Arts Media Façade
Awards
  • Grand Prize (1 winner)
  • KRW 4,000,000
  • Gold Prize (1 winner)
  • KRW 2,500,000
  • Silver Prize (1 winner)
  • KRW 1,500,000
  • Bronze Prize (2 winners)
  • KRW 1,000,000 each
  • Total Prize Amount
  • KRW 10,000,000
  • All prize-winning artists will have the opportunity to showcase their artworks on the Sejong Center for the Performing Arts Media Façade

Student Contest Media Art Award-Winning Works
  • Ha Ji-soo
  • Grand Prize

    Ha Ji-soo

    My name is Ha Ji-su, and I specialize in 2D animation and exploring various forms of visual media. When creating videos, my priority is to make memorable video media: artwork that does not just end with a single viewing but lingers in the viewer’s heart, rekindling emotions or thoughts long after it has been viewed.
    During my undergraduate years, I primarily focused on 2D animation. Over time, I grew increasingly curious about the immersive qualities of animation and its potential for interaction. This curiosity led me to explore how I could create artworks that forge deeper connections with the viewer, inspiring me to push the boundaries of what animation can achieve.
    Building upon these ideas, I ventured into the field of media art, focusing on creating artworks that resonate more deeply with viewers and allow for direct interaction. I believe that by incorporating interactive and generative art, I can offer viewers experiences where they are offered the opportunity to actively participate rather than passively observe. I plan to continue developing animations in this direction.
    Ultimately, I want to create artworks through the medium of video media that allow people to feel more deeply, experience fully, and form their own interpretations. By adding a touch of imagination, I aim to craft living and breathing experiences to be shared with the audience.

Artwork Introduction | Harmony

Artwork Introduction | Harmony
-
Harmony is a media art piece that visually and aurally expresses the core themes of balance and unity through the blending of Korea’s tradition and modernity, mythology and technology, and humanity and nature.
This artwork reimagines traditional paintings, such as Irworobongdo and Jingyeong (true-view) landscape painting, in a modern context, creating vivid and dynamic scenes in the process.
The creatures from Korean traditional mythology, such as goblins, haetae, lions, immortals, dragons, and kylin, appear in strikingly unique forms, expressed through the colors and light of mother-of-pearl, captivating the viewer’s gaze. Particularly, the background of these mythical creatures transitions seamlessly from traditional paintings to the modern landscape of Seoul, symbolizing how tradition remains alive within modern life. The music, harmonizing Korean Samulnori (traditional percussion) with orchestral grandeur, plays a vital role in the storytelling of this artwork. The dynamic rhythms of Samulnori resonate in sync with the movements of the mythical creatures, while the orchestra’s majestic melodies enhance the immersive depth of the narrative. Through this approach, viewers can discover a new sensation where traditional and modern music are beautifully blended together.
Harmony bridges the past and present by bringing traditional symbols and mythical beings to life within the modern landscape of Seoul. The final scene, set against the backdrop of Gwanghwamun, Hanyangdoseong (Seoul City Wall), and Namsan Tower, concludes with a kylin causing flowers to bloom as it passes by, representing the moment when traditional values are reinterpreted within the modern cityscape of Seoul. Harmony reimagines Korean traditional art and mythology through modern technology, shedding new light on Seoul’s identity and cultural significance. Traditional paintings and mythical creatures, represented through light and technology, evoke the emotional resonance of traditional aesthetics while offering viewers an artistic experience where tradition and modernity blend.
Harmony goes beyond merely replicating tradition as it carries the symbolic value of tradition embodied through modern artistic forms. It is an artistic endeavor to showcase the unique charm of Korean traditional culture. By blending technology and tradition, it aims to inspire viewers and strives to become a pioneering media art piece that elevates the global competitiveness of Korean cultural content.

  • Park So-jung
  • Gold Prize

    Park So-jung

    I am a 3D artist dedicated to creating innovative and creative content. With a passion for continuous learning of emerging technologies and trends, I aim to explore diverse forms of 3D art without being confined to a single genre.

Artwork Introduction | Harmony

Artwork Introduction | Connecting Seoul
-
The subway is more than just a means of transportation. It is a passage that connects me to Seoul. It turns fleeting encounters and everyday moments into a landscape, allowing me to paint my own version of the city. I hope that the process of moving along with the light in this artwork becomes a moment for viewers to create another unique landscape of this dynamic metropolis.

  • Yuyeol Byeon
  • Silver Prize

    Yuyeol Byeon

    Yuyeol Byeon is a media artist, composer, sound designer, and researcher based in Seoul. As a composer and conductor, he has participated in numerous international music festivals, with his music performed in locations worldwide, such as Korea and Europe. As a media artist, Byeon focuses on the multi-layered interpretations of concepts that emerge within today’s intricate digital environment. He is fascinated by how a single representation can be interpreted as entirely different signifiers across various backgrounds and contexts, such as disciplines, fields, cultures, regions, technologies, and time. Additionally, the artist seeks to express the divergences and shifts of these meanings and concepts through his work.
    Recently, Byeon has been utilizing AI, computer graphics technology, and game engines to create media façades, audiovisual works, interactive installations, and digital paintings. Through these projects, he brings the interconnections and distinctions of space-time-phenomena, which exist on the conceptual surface, into human perception, enabling them to be experienced in the physical realm. As an artist, and by capturing the phenomena that arise from translating speculative concepts into performative methods, Byeon seeks to understand multiple contexts simultaneously and embrace different universes together with his audience.

Artwork Introduction | Resonance of Seoul: Strange Attractor

Artwork Introduction | Resonance of Seoul: Strange Attractor
-
The vast community of Seoul resembles a fractal structure, characterized by its complexity and diverse patterns. This city, where people of diverse backgrounds and stories are intricately intertwined, symbolically demonstrates that each individual is not merely a part of the system but the whole itself. The artwork Resonance of Seoul: Strange Attractor explores the dynamism and beauty of Seoul, symbolically visualizing the process through which each individual functions as both an independent entity and a harmonious part of the whole within the city. The artwork simulates new possibilities through fractal structures and chaos theory, exploring the interplay between order and chaos. It reflects the artist’s hope that, within this constant harmony, the good in our community will emerge, while the bad will fade away.
This artwork was created using Unreal Engine, with a camera probing the 3D Mandelbrot set structures to capture its visuals. Viewers are invited into the vast fractal structures that symbolize Seoul through large-scale projection-mapped visuals. The artwork transcends mere external observation, inviting viewers to step inside the structure and intuitively grasp the relationship between microscopic movements and macroscopic patterns. The fractal structure continuously generates and dissolves in response to changes in data and parameters, metaphorically symbolizing the way diverse individuals coexist in harmony within the city of Seoul. Each individual possesses independence as a microscopic unit, yet their existence is connected to the essence of the whole. This relationship reveals itself as a mutually complementary and cyclical process.
The artwork particularly emphasizes empty space and its transformation. Empty space does not merely symbolize absence or void but holds the potential for new forms and patterns to emerge. In moments when spaces once filled with three-dimensional structures are unexpectedly emptied through unforeseen sequences, viewers are able to visually experience the process of balance, where intertwined relationships involve mutual compromise and consideration. This empty space is closely connected to the “strange attractor,” a geometric structure that helps a system maintain balance within a limited area, creating complex trajectories. While following consistent rules, it possesses the unique characteristic of never repeating its previous path, continually entering new spaces. In the artwork, the cycles of filling and emptying spaces visually reflect the characteristics of the strange attractor, allowing viewers to symbolically experience the elegant process of creation and dissolution as chaos and order interplay.
The artist compares the city of Seoul to a fractal structure, emphasizing that each individual is not merely a part of the whole but exists as the whole itself. The process of discovering positive change and new possibilities within intricate relationships goes beyond the mere functionality of a city, extending to a reflection on the essence and potential of human existence. The artist’s hope for the emergence of the good and the dissolution of the bad is expressed as a message encouraging viewers to recognize both their individuality and harmony through the artwork and foster a society where mutual respect and coexistence can flourish.
Resonance of Seoul: Strange Attractor goes beyond offering mere visual pleasure. It is designed to help viewers discover both their individuality and wholeness within the intricate web of relationships and to experience the values of harmony and coexistence. The new patterns and harmony created through the interplay of order and chaos symbolically present a direction for us to pursue in modern society. The artwork guides the audience to realize that their existence is not merely a part of a vast system but a vital element that forms the whole, encouraging them to explore new possibilities within relationships and harmony created together.

  • B216 (Nam Ji-won, Lee Sin-young)
  • Bronze Prize

    B216 (Nam Ji-won, Lee Sin-young)

    Nam Ji-won: After graduating with a major in video design, Nam Ji-won worked as a motion graphics designer at a broadcasting station, producing broadcast video graphics. Currently, she is pursuing studies at the graduate level, continuing to focus on both academic research and practical projects aimed at producing realistic visuals using Unreal Engine.

    Lee Sin-young: Lee Sin-young’s work begins with researching local areas and capturing the faces and voices of the people encountered there. The artist quietly blends the phenomena shaped by individuals confronting their times into landscapes. To more vividly and strikingly capture stories as a tool for archiving, she continues to work on recreating memories using game engines. 

Artwork Introduction | 일월오봉도

Artwork Introduction | <Sun, Moon and Five peaks: Irworobongdo>
-
Irworobongdo (Sun, Moon and Five peaks) features a unique composition in which the sun and moon cohabit the same space. The sun and moon, respectively, symbolize the king and queen, while the five peaks of Obongsan represent the five elements: benevolence, righteousness, propriety, wisdom, and sincerity. Additionally, they represent the five directions: east, west, south, north, and center. Irworobongdo (Sun, Moon and Five peaks) reflects the authority of the Joseon royal court through the harmony of yin and yang and the representation of the five elements. We aimed to depict the history of the Joseon dynasty by recreating the Irworobongdo (Sun, Moon and Five peaks) folding screen as a live-action 3D visualization using Unreal Engine, set against the backdrop of Gyeongbokgung Palace. By showcasing the sun and moon, the five peaks, the evergreen pine trees, and the endless sea depicted in Irworobongdo (Sun, Moon and Five peaks), we sought to express our wish for peace and prosperity in the new era.

  • B216 (Nam Ji-won, Lee Sin-young)
  • Bronze Prize

    3D Cherry (Kim Ri-won, Hwang Chae-yoo)

Artwork Introduction | Traces of Eternity: Where Light Stays
Artwork Introduction | Traces of Eternity: Where Light Stays

Artwork Introduction | Traces of Eternity: Where Light Stays
-
This artwork combines the grandeur of Gyeonghoeru Pavilion and the symbolism of the Sipjangsaengdo (Ten Symbols of Longevity) to portray a world where nature and humanity coexist in harmony through light and visuals. Gyeonghoeru Pavilion, with its unique structure floating on water, reflects the architectural beauty of the Joseon dynasty and a reverence for nature. The Sipjangsaengdo embodies the artistic essence of the Joseon era, symbolizing longevity and eternity. In the process of creating this work, we sought to weave the profound stories of these two elements into a unified visual narrative. In the opening scene, a door opens to invite the viewer into the world of the Sipjangsaengdo, expressing the vitality of nature through the vibrant movements of forest, deer, and light. The subsequent scene reveals the majestic beauty of Gyeonghoeru Pavilion, where the harmony between nature and humanity unfolds like a poetic tale. This artwork goes beyond merely recreating the legacy of the past. It presents an ideal vision of coexistence, where nature and humanity create together, offering viewers a moment to experience this concept and connect with its message. Through this artwork, which reimagines the history, nature, and philosophical depth of Seoul, we express our desire that the future, too, will be illuminated in harmonious light.

Student Contest
Media Art
Award-Winning Works
  • Grand Prize

    Ha Ji-soo

  • Ha Ji-soo

    My name is Ha Ji-su, and I specialize in 2D animation and exploring various forms of visual media. When creating videos, my priority is to make memorable video media: artwork that does not just end with a single viewing but lingers in the viewer’s heart, rekindling emotions or thoughts long after it has been viewed. During my undergraduate years, I primarily focused on 2D animation. Over time, I grew increasingly curious about the immersive qualities of animation and its potential for interaction. This curiosity led me to explore how I could create artworks that forge deeper connections with the viewer, inspiring me to push the boundaries of what animation can achieve. Building upon these ideas, I ventured into the field of media art, focusing on creating artworks that resonate more deeply with viewers and allow for direct interaction. I believe that by incorporating interactive and generative art, I can offer viewers experiences where they are offered the opportunity to actively participate rather than passively observe. I plan to continue developing animations in this direction. Ultimately, I want to create artworks through the medium of video media that allow people to feel more deeply, experience fully, and form their own interpretations. By adding a touch of imagination, I aim to craft living and breathing experiences to be shared with the audience.

Artwork Introduction | Harmony

Artwork Introduction | Harmony
-
Harmony is a media art piece that visually and aurally expresses the core themes of balance and unity through the blending of Korea’s tradition and modernity, mythology and technology, and humanity and nature. This artwork reimagines traditional paintings, such as Irworobongdo and Jingyeong (true-view) landscape painting, in a modern context, creating vivid and dynamic scenes in the process. The creatures from Korean traditional mythology, such as goblins, haetae, lions, immortals, dragons, and kylin, appear in strikingly unique forms, expressed through the colors and light of mother-of-pearl, captivating the viewer’s gaze. Particularly, the background of these mythical creatures transitions seamlessly from traditional paintings to the modern landscape of Seoul, symbolizing how tradition remains alive within modern life. The music, harmonizing Korean Samulnori (traditional percussion) with orchestral grandeur, plays a vital role in the storytelling of this artwork. The dynamic rhythms of Samulnori resonate in sync with the movements of the mythical creatures, while the orchestra’s majestic melodies enhance the immersive depth of the narrative. Through this approach, viewers can discover a new sensation where traditional and modern music are beautifully blended together. Harmony bridges the past and present by bringing traditional symbols and mythical beings to life within the modern landscape of Seoul. The final scene, set against the backdrop of Gwanghwamun, Hanyangdoseong (Seoul City Wall), and Namsan Tower, concludes with a kylin causing flowers to bloom as it passes by, representing the moment when traditional values are reinterpreted within the modern cityscape of Seoul. Harmony reimagines Korean traditional art and mythology through modern technology, shedding new light on Seoul’s identity and cultural significance. Traditional paintings and mythical creatures, represented through light and technology, evoke the emotional resonance of traditional aesthetics while offering viewers an artistic experience where tradition and modernity blend. Harmony goes beyond merely replicating tradition as it carries the symbolic value of tradition embodied through modern artistic forms. It is an artistic endeavor to showcase the unique charm of Korean traditional culture. By blending technology and tradition, it aims to inspire viewers and strives to become a pioneering media art piece that elevates the global competitiveness of Korean cultural content.

  • Gold Prize

    Park So-jung

  • Park So-jung

    I am a 3D artist dedicated to creating innovative and creative content. With a passion for continuous learning of emerging technologies and trends, I aim to explore diverse forms of 3D art without being confined to a single genre.

Artwork Introduction | Harmony

Artwork Introduction | Connecting Seoul
-
The subway is more than just a means of transportation. It is a passage that connects me to Seoul. It turns fleeting encounters and everyday moments into a landscape, allowing me to paint my own version of the city. I hope that the process of moving along with the light in this artwork becomes a moment for viewers to create another unique landscape of this dynamic metropolis.

  • Silver Prize

    Yuyeol Byeon

  • Yuyeol Byeon

    Yuyeol Byeon is a media artist, composer, sound designer, and researcher based in Seoul. As a composer and conductor, he has participated in numerous international music festivals, with his music performed in locations worldwide, such as Korea and Europe. As a media artist, Byeon focuses on the multi-layered interpretations of concepts that emerge within today’s intricate digital environment. He is fascinated by how a single representation can be interpreted as entirely different signifiers across various backgrounds and contexts, such as disciplines, fields, cultures, regions, technologies, and time. Additionally, the artist seeks to express the divergences and shifts of these meanings and concepts through his work. Recently, Byeon has been utilizing AI, computer graphics technology, and game engines to create media façades, audiovisual works, interactive installations, and digital paintings. Through these projects, he brings the interconnections and distinctions of space-time-phenomena, which exist on the conceptual surface, into human perception, enabling them to be experienced in the physical realm. As an artist, and by capturing the phenomena that arise from translating speculative concepts into performative methods, Byeon seeks to understand multiple contexts simultaneously and embrace different universes together with his audience.

Artwork Introduction | Resonance of Seoul: Strange Attractor

Artwork Introduction | Resonance of Seoul: Strange Attractor
-
The vast community of Seoul resembles a fractal structure, characterized by its complexity and diverse patterns. This city, where people of diverse backgrounds and stories are intricately intertwined, symbolically demonstrates that each individual is not merely a part of the system but the whole itself. The artwork Resonance of Seoul: Strange Attractor explores the dynamism and beauty of Seoul, symbolically visualizing the process through which each individual functions as both an independent entity and a harmonious part of the whole within the city. The artwork simulates new possibilities through fractal structures and chaos theory, exploring the interplay between order and chaos. It reflects the artist’s hope that, within this constant harmony, the good in our community will emerge, while the bad will fade away.
This artwork was created using Unreal Engine, with a camera probing the 3D Mandelbrot set structures to capture its visuals. Viewers are invited into the vast fractal structures that symbolize Seoul through large-scale projection-mapped visuals. The artwork transcends mere external observation, inviting viewers to step inside the structure and intuitively grasp the relationship between microscopic movements and macroscopic patterns. The fractal structure continuously generates and dissolves in response to changes in data and parameters, metaphorically symbolizing the way diverse individuals coexist in harmony within the city of Seoul. Each individual possesses independence as a microscopic unit, yet their existence is connected to the essence of the whole. This relationship reveals itself as a mutually complementary and cyclical process.
The artwork particularly emphasizes empty space and its transformation. Empty space does not merely symbolize absence or void but holds the potential for new forms and patterns to emerge. In moments when spaces once filled with three-dimensional structures are unexpectedly emptied through unforeseen sequences, viewers are able to visually experience the process of balance, where intertwined relationships involve mutual compromise and consideration. This empty space is closely connected to the “strange attractor,” a geometric structure that helps a system maintain balance within a limited area, creating complex trajectories. While following consistent rules, it possesses the unique characteristic of never repeating its previous path, continually entering new spaces. In the artwork, the cycles of filling and emptying spaces visually reflect the characteristics of the strange attractor, allowing viewers to symbolically experience the elegant process of creation and dissolution as chaos and order interplay. The artist compares the city of Seoul to a fractal structure, emphasizing that each individual is not merely a part of the whole but exists as the whole itself. The process of discovering positive change and new possibilities within intricate relationships goes beyond the mere functionality of a city, extending to a reflection on the essence and potential of human existence. The artist’s hope for the emergence of the good and the dissolution of the bad is expressed as a message encouraging viewers to recognize both their individuality and harmony through the artwork and foster a society where mutual respect and coexistence can flourish. Resonance of Seoul: Strange Attractor goes beyond offering mere visual pleasure. It is designed to help viewers discover both their individuality and wholeness within the intricate web of relationships and to experience the values of harmony and coexistence. The new patterns and harmony created through the interplay of order and chaos symbolically present a direction for us to pursue in modern society. The artwork guides the audience to realize that their existence is not merely a part of a vast system but a vital element that forms the whole, encouraging them to explore new possibilities within relationships and harmony created together.

  • Bronze Prize

    B216 (Nam Ji-won, Lee Sin-young)

  • B216 (Nam Ji-won, Lee Sin-young)

    Nam Ji-won: After graduating with a major in video design, Nam Ji-won worked as a motion graphics designer at a broadcasting station, producing broadcast video graphics. Currently, she is pursuing studies at the graduate level, continuing to focus on both academic research and practical projects aimed at producing realistic visuals using Unreal Engine.

    Lee Sin-young: Lee Sin-young’s work begins with researching local areas and capturing the faces and voices of the people encountered there. The artist quietly blends the phenomena shaped by individuals confronting their times into landscapes. To more vividly and strikingly capture stories as a tool for archiving, she continues to work on recreating memories using game engines. 

Artwork Introduction | 일월오봉도

Artwork Introduction | <Sun, Moon and Five peaks: Irworobongdo>
-
Irworobongdo (Sun, Moon and Five peaks) features a unique composition in which the sun and moon cohabit the same space. The sun and moon, respectively, symbolize the king and queen, while the five peaks of Obongsan represent the five elements: benevolence, righteousness, propriety, wisdom, and sincerity. Additionally, they represent the five directions: east, west, south, north, and center. Irworobongdo (Sun, Moon and Five peaks) reflects the authority of the Joseon royal court through the harmony of yin and yang and the representation of the five elements. We aimed to depict the history of the Joseon dynasty by recreating the Irworobongdo (Sun, Moon and Five peaks) folding screen as a live-action 3D visualization using Unreal Engine, set against the backdrop of Gyeongbokgung Palace. By showcasing the sun and moon, the five peaks, the evergreen pine trees, and the endless sea depicted in Irworobongdo (Sun, Moon and Five peaks), we sought to express our wish for peace and prosperity in the new era.

  • Bronze Prize

    3D Cherry (Kim Ri-won, Hwang Chae-yoo)

  • B216 (Nam Ji-won, Lee Sin-young)
Artwork Introduction | Traces of Eternity: Where Light Stays
Artwork Introduction | Traces of Eternity: Where Light Stays

Artwork Introduction | Traces of Eternity: Where Light Stays
-
This artwork combines the grandeur of Gyeonghoeru Pavilion and the symbolism of the Sipjangsaengdo (Ten Symbols of Longevity) to portray a world where nature and humanity coexist in harmony through light and visuals. Gyeonghoeru Pavilion, with its unique structure floating on water, reflects the architectural beauty of the Joseon dynasty and a reverence for nature. The Sipjangsaengdo embodies the artistic essence of the Joseon era, symbolizing longevity and eternity. In the process of creating this work, we sought to weave the profound stories of these two elements into a unified visual narrative. In the opening scene, a door opens to invite the viewer into the world of the Sipjangsaengdo, expressing the vitality of nature through the vibrant movements of forest, deer, and light. The subsequent scene reveals the majestic beauty of Gyeonghoeru Pavilion, where the harmony between nature and humanity unfolds like a poetic tale. This artwork goes beyond merely recreating the legacy of the past. It presents an ideal vision of coexistence, where nature and humanity create together, offering viewers a moment to experience this concept and connect with its message. Through this artwork, which reimagines the history, nature, and philosophical depth of Seoul, we express our desire that the future, too, will be illuminated in harmonious light.

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